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	<title>Merlin Works - Austin Improv Classes</title>
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	<link>http://merlin-works.com</link>
	<description>The Best Improv Classes and Instructors in Austin</description>
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		<title>Why Improv?</title>
		<link>http://merlin-works.com/why-improv/</link>
		<comments>http://merlin-works.com/why-improv/#comments</comments>
		<pubDate>Tue, 14 May 2013 13:00:47 +0000</pubDate>
		<dc:creator>Chelley Pyatt</dc:creator>
				<category><![CDATA[School News]]></category>

		<guid isPermaLink="false">http://merlin-works.com/?p=3485</guid>
		<description><![CDATA[Summer session is just around the corner and many of you might be wondering why.  Why do improv?  Why spend your time pretending to be someone else when it&#8217;s already difficult being yourself.  Life is&#8230;]]></description>
				<content:encoded><![CDATA[<p>Summer session is just around the corner and many of you might be wondering why.  Why do improv?  Why spend your time pretending to be someone else when it&#8217;s already difficult being yourself.  Life is a beautiful mess with roller coaster ups and downs and doubt whispering sweet &#8220;your-gonna-fails&#8221; in your ear.   Improv teaches you to accept the good with the bad, the ups with the downs and everything in-between then add something to it.  It&#8217;s the ever familiar improv phrase &#8220;yes and.&#8221;  This idea is not only brilliant in improv but in life in general.  If you take the very basic idea that you accept what you&#8217;ve been given and then add to it you&#8217;ll constantly be in your own present. And present is where life happens.  Not in the past, not in the future, but here and now.  As Shana says (I&#8217;m paraphrasing) &#8220;We improvise our lives.  Why not be better at it.&#8221;</p>
<p>The best improv tenant I learned was failure isn&#8217;t bad.  It&#8217;s actually good.  It&#8217;s what propels us to learn and grow.  Failure is a concept I was never really comfortable with.  Being a vocalist my entire life perfection was strive worthy.  But that attempt at perfection is what kept me from moving forward.  Every time on stage was the possibility of failure. Because this thought raged in my head I failed almost every time.  I would forget the lyrics or I&#8217;d be off key.  And it&#8217;s not because I wasn&#8217;t good.  I was.  It&#8217;s because if you continually believe that you have to be perfect, that one moment of being &#8220;off&#8221; is unacceptable, then failure is inevitable.  Improv teaches us that there is no failure but an opportunity for something new, to be propelled into a different scene, moment, song&#8230; It&#8217;s an idea that I&#8217;m still struggling with today and will always struggle with.  But it&#8217;s improv that has allowed me to move forward by treating failure as an opportunity.</p>
<p>So, yes, I spend my time pretending to be someone else.  I spend my time trying to find the game in every scene.  I spend my time thrusting myself out on stage even when I have nothing.  But I also spend my time more free, more happy then I&#8217;d ever been in the past.  Improv works.</p>
<p>&nbsp;</p>
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		<title>Merlin Works May Newsletter: Bounce Back Better With This Improv Skill</title>
		<link>http://merlin-works.com/merlin-works-may-newsletter-the-new-abcs-of-success/</link>
		<comments>http://merlin-works.com/merlin-works-may-newsletter-the-new-abcs-of-success/#comments</comments>
		<pubDate>Fri, 10 May 2013 14:39:56 +0000</pubDate>
		<dc:creator>Shana Merlin</dc:creator>
				<category><![CDATA[School News]]></category>

		<guid isPermaLink="false">http://merlin-works.com/?p=3476</guid>
		<description><![CDATA[&#8220;I got arrested,&#8221; the broad shouldered young man says to an older woman he met fifteen minutes ago. Then he smiles, spreads his arms up in to the air and proclaims, &#8220;I failed!&#8221; The older&#8230;]]></description>
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<p>&#8220;I got arrested,&#8221; the broad shouldered young man says to an older woman he met fifteen minutes ago. Then he smiles, spreads his arms up in to the air and proclaims, &#8220;I failed!&#8221;</p>
<p>The older woman in the cardigan applauds him, takes a beat and says &#8220;Me too!&#8221; These strangers, with seemingly little in common except this confession, laugh together. They are twenty minutes in to their first Free Intro to Improv Class at Merlin Works.</p>
<p>I&#8217;ve done this activity with thousands of people from all walks of life. It sounds downright awful: go up to a stranger, admit a personal or professional failure, smile, bow, and let them applaud you. Then return the favor. But it&#8217;s surprisingly delightful. It changes the energy in the room and bonds people who initially feel defensive and self conscious when the class begins.</p>
<p>Although I&#8217;ve been doing this exercise for years, it wasn&#8217;t until I read <a href="http://www.danpink.com/books/to-sell-is-human" target="_self"><em>To Sell Is Human</em>by Daniel Pink</a>, this year&#8217;s bestselling (and also really good) business book, that I got some new insight in to why this exercise is so powerful. Pink outlines the three qualities that make a person great at sales in today&#8217;s market. He calls them &#8220;the new ABC&#8217;s of moving others&#8221;: Attunement, Buoyancy, and Clarity. Each of these qualities is something I&#8217;ve been teaching in my improv classes, whether I knew it or not. And Pink actually dedicates and entire chapter of his book to improv training, so the guy&#8217;s got to be on to something, right?</p>
</div>
<div>Attunement is the Yes And piece, something I&#8217;ve talked about extensively in this newsletter. How to see what the other person is presenting, accept it, and add on to it with something connected. That could be someone&#8217;s emotion, concern, body language or more. So when a prospect shows up in a hurry, you match their pacing and energy to get them the information they need in the time that they have. Clarity is something I&#8217;ve added more and more of in my curriculum in recent years. We have two classes dedicated to specificity, so that the offers you are making are clear, concise, and easy to catch. It&#8217;s the difference between &#8220;the man flew&#8221; and &#8220;The man in the red cape soared through the skies of Metropolis, looking for the burglar.&#8221;  Buoyancy, however, was a newer concept to me in interpersonal skills.</div>
<div></div>
<div>Buoyancy is the ability to bounce back. It&#8217;s the positivity. The future looking. The resiliency. And it&#8217;s something that&#8217;s been all over my improv curriculum in different ways, but I didn&#8217;t have a cohesive name for it until now. I realized that was what this very first failure bow activity was all about: admitting mistakes, celebrating them, and moving on. That&#8217;s how we improvisers start practicing buoyancy. It&#8217;s why one of the first group games we play in class are intended to make us mess up, acknowledge it, and get back in the game. It&#8217;s what makes long-time salesmen able to get out of bed in the morning and keep plugging away, knowing they will have many unsuccessful sales calls that day and every day. They have a specific way they talk to themselves about these routine failures.<img alt="" src="https://d2q0qd5iz04n9u.cloudfront.net/_ssl/proxy.php/http/gallery.mailchimp.com/c204dd5f3a761945fb082f241/images/tosellishuman.jpg" width="150" height="226" align="right" /></div>
<div></div>
<div>Pink sites Martin Seligman and his work in &#8220;positive psychology&#8221; to get in to the specifics of buoyancy. Seligman observed how people with learned helplessness explain negative events to themselves.  In their &#8220;explanatory style&#8221; there are three main ways people who give up easily perceive failure. People who lack buoyancy see their mistakes as:</div>
<div></div>
<ul>
<li>Personal: This is my fault.</li>
<li>Permanent: I always do this.</li>
<li>Pervasive: Everything&#8217;s ruined.</li>
</ul>
<p>Sound familiar? This is such an accurate description of where many of our heads spin when we make a mistake. And it paralyzes us. We can&#8217;t move forward. We can&#8217;t let it go. We are stuck in a very sucky place.</p>
<p>People who are resilient have a different way of self talk. Buoyant people see mistakes as:</p>
<ul>
<li>Impersonal: There&#8217;s some external reasons for why this happened.</li>
<li>Temporary: I&#8217;ve had successes before and I will again.</li>
<li>Limited: This is an isolated incident.</li>
</ul>
<p>This helps people shake it off and get back in the game. It gets to the heart of the spirit of play I try to teach&#8211; take the game seriously and yourself not, take a failure bow and get back in to play, that mistakes are gifts to be honored. In improv class and applied improv corporate training, we get to practice this stuff in a low pressure setting, hoping to re-wire some of our routine responses.</p>
<div><img style="margin: 5px; border: 1px solid black;" alt="" src="https://d2q0qd5iz04n9u.cloudfront.net/_ssl/proxy.php/http/gallery.mailchimp.com/c204dd5f3a761945fb082f241/images/balloon_in_a_colorful_by_mohammadrmoharrami_d4jbym6.jpg" width="200" height="199" align="left" />I&#8217;m excited to incorporate this idea of buoyancy more explicitly in to the classes because the benefits are clearly huge. In Seligman&#8217;s Research, Buoyancy was the number one predictor of sales success. It allowed people to get back in there and try again with a positive attitude, giving them the numbers they need to achieve the success they desire.</div>
<div></div>
<div>People often want to avoid or minimize failure. But failure is going to happen. It&#8217;s part of life. So the question is more about training yourself to handle it. My advice: make like a balloon and get buoyant.</div>
<div></div>
<p><img alt="" src="https://d2q0qd5iz04n9u.cloudfront.net/_ssl/proxy.php/http/merlin-works.com/images/body_images/shana_merlin_2009_web_headshot.jpg" width="90" height="112" align="right" /></p>
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<div>Shana Merlin<br />
Founder, Merlin Works</div>
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<p>&nbsp;</p>
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		<title>The FREE Merlin Works Improv Mixer!</title>
		<link>http://merlin-works.com/the-free-merlin-works-improv-mixer/</link>
		<comments>http://merlin-works.com/the-free-merlin-works-improv-mixer/#comments</comments>
		<pubDate>Fri, 03 May 2013 22:08:57 +0000</pubDate>
		<dc:creator>Karina</dc:creator>
				<category><![CDATA[Special Events]]></category>

		<guid isPermaLink="false">http://merlin-works.com/?p=3459</guid>
		<description><![CDATA[Saturday, May 4th 2:00-4:00pm The Long Center RSVP Now Hi! It&#8217;s time for our monthly Merlin Works Improv Mixer and you&#8217;re invited to play, mix and mingle! For those of you who don&#8217;t know or&#8230;]]></description>
				<content:encoded><![CDATA[<p>Saturday, May 4th<br />
2:00-4:00pm<br />
The Long Center</p>
<p><a href="http://merlin-works.com/labs-mixers-and-free-classes/">RSVP Now</a><br />
Hi! It&#8217;s time for our monthly Merlin Works Improv Mixer and you&#8217;re invited to play, mix and mingle!</p>
<p>For those of you who don&#8217;t know or need a refresher, the <a href="http://merlin-works.com/labs-mixers-and-free-classes/">Merlin Works Improv Mixer</a> is a low-pressure jam where you can meet, mingle, practice and play with talented improvisers from all over town. The Mixer is a great place for beginners to rehearse and perform and for experienced improvisers to promote their coaching skills. With our new home at the <a href="http://www.thelongcenter.org/thecenter.aspx?id=2750">AT&amp;T Education Room</a> at The Long Center, it&#8217;s also a great chance to share the joy of improv with the Greater Austin community. And, as always, it&#8217;s FREE!</p>
<p>And even more, we have themed mixers to tie-in with the exciting programming at The Long Center! In conjunction with <a href="http://thelongcenter.org/event/whose-live-anyway/">Whose Live Anyway?</a> playing May 17th at the Long Center this month&#8217;s theme is: Short Form Games!</p>
<p><a href="http://merlin-works.com/the-free-merlin-works-improv-mixer/wlawallpaper800/" rel="attachment wp-att-3460"><img class="aligncenter size-full wp-image-3460" alt="wlaWallpaper800" src="http://merlin-works.com/mw/wp-content/uploads/2013/05/wlaWallpaper800-e1367618657107.jpg" width="300" height="225" /></a></p>
<p>So get ready to make up entirely new scenes and play fun short form games!</p>
<p><a href="http://merlin-works.com/contact/">RSVP now</a> and come along to The Long Center on May 4th to experience the get to play with other Austin improvisers and fine tune the craft you&#8217;ve got going on. Anyone can come to play or just come to watch&#8211; so come on!</p>
<p>NEW LOCATION: The Long Center for the Performing Arts <a href="http://www.thelongcenter.org/thecenter.aspx?id=2750">AT&amp;T Education Room</a></p>
<p><a href="https://maps.google.com/maps?q=701+West+Riverside+Drive+(at+the+corner+of+S.+1st+Street)&amp;hnear=701+W+Riverside+Dr,+Austin,+Travis,+Texas+78704&amp;t=m&amp;z=16">701 West Riverside Drive</a> (at the corner of S. 1st Street) <a href="http://www.thelongcenter.org/visit.aspx?id=1220">Parking info</a></p>
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		<title>Remember Kids, Play Nice.</title>
		<link>http://merlin-works.com/remember-kids-play-nice/</link>
		<comments>http://merlin-works.com/remember-kids-play-nice/#comments</comments>
		<pubDate>Tue, 30 Apr 2013 13:00:32 +0000</pubDate>
		<dc:creator>Natalie Grigson</dc:creator>
				<category><![CDATA[School News]]></category>

		<guid isPermaLink="false">http://merlin-works.com/?p=3448</guid>
		<description><![CDATA[In last week’s post we went over the Naughty List—all of those things you should not do in improv. Even if you don’t know the list, you know the list, because these are all of&#8230;]]></description>
				<content:encoded><![CDATA[<p>In last week’s post we went over the <a href="http://merlin-works.com/how-not-to-be-the-jerk-on-stage/">Naughty List</a>—all of those things you should <i>not </i>do in improv. Even if you don’t know the list, you <i>know </i>the list, because these are all of those things your parents always taught you not to do in life. Talking behind someone’s back, making someone feel stupid about what they say, simply ignoring someone’s offer—in short, being a jerk. It’s not fun for anyone in life, and it’s not fun on stage.</p>
<p>So now that you know all of those what-not-to-dos, today we are going to talk about the things you <i>should </i>do in improv. Feel free to carry these into your day-to-day as well. Your friends, family, co-workers, and universe in general will thank you for it.</p>
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<h1 style="text-align: center;">Vocabulary: Nice Things to Do in Improv</h1>
<p align="center"><i>(Especially if they are done out of playfulness and not because you are following a rule.)</i></p>
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<td valign="top" width="217">
<p align="right"><b>Accepting  </b></p>
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<td valign="top" width="467">Embracing each offer made by other players to advance the scene. A good thing.</td>
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<td valign="top" width="217">
<p align="right"><b>Chivalry</b></p>
</td>
<td valign="top" width="467">Chivalry means not clinging to your own ideas, your own Status, or even your own life (as a character). Chivalry is daring to give up (or at least share) control. As Keith Johnstone teaches, players should allow themselves to be changed by other players.</td>
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<td valign="top" width="217">
<p align="right"><b>ENDOWment</b></p>
</td>
<td valign="top" width="467">An offer that gives another improviser information about their character or world.</td>
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<td valign="top" width="217">
<p align="right"><b>Justifying</b></p>
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<td valign="top" width="467">Finding a solution or connection for every element introduced in the scene. The idea is to justify everything and make it make sense. Jump and Justify.</td>
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<td valign="top" width="217">
<p align="right"><b>Narrative</b></p>
</td>
<td valign="top" width="467">The actual story told by the scene. Scenes should generally have a decent beginning, middle and end.</td>
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<td valign="top" width="217">
<p align="right"><b>OFFER </b></p>
</td>
<td valign="top" width="467">Anything an improviser says or does on stage. Anything that gives you information about the scene. Offers can be verbal, physical, emotional, audio and more.</td>
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<td valign="top" width="217">
<p align="right"><b>Passenger/ </b></p>
<p align="right"><b>Driver  </b></p>
</td>
<td valign="top" width="467">The driver is the person in control of the scene, making all the offers. The passenger is along for the ride, reacting truthfully without adding a lot of information. It’s good to be able to be both when needed.</td>
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<td valign="top" width="217">
<p align="right"><b>Platform/CROWE: </b>Character, Relationship, Objective, Where, Emotion<b>  </b></p>
</td>
<td valign="top" width="467">The who, what and where of a scene. Success of a scene often depends on a solid and clear platform, so we probably want to establish the platform as early as possible.</td>
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<td valign="top" width="217">
<p align="right"><b>REINCORPORATION</b></p>
</td>
<td valign="top" width="467">Bringing back some part of the scene at a later time.</td>
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<td valign="top" width="217">
<p align="right"><b>Space Work</b></p>
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<td valign="top" width="467">Mime. You can use space work to create space objects.</td>
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<p align="right"><b>Specificity</b></p>
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<td valign="top" width="467">The more specific the offer, the better.</td>
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<p align="right"><b>Truthfulness/ </b></p>
<p align="right"><b>Being OBVIOUS </b></p>
</td>
<td valign="top" width="467">We play theatre, and theatre is supposed to somehow touch the audience, and that&#8217;s usually done by creating recognizable situations. Hence keeping things truthful is pretty powerful. Wackiness is usually cheap and not very interesting.</td>
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<td valign="top" width="217">
<p align="right"><b>YES, AND…</b></p>
</td>
<td valign="top" width="467">Accepting the offer and adding something to it that is connected. The foundation of all improvisation.</td>
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</tbody>
</table>
<p>&nbsp;</p>
<p>&nbsp;</p>
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		<title>Merlin Works $25 Early Bird discount ends April 28th! Classes start May 12th!</title>
		<link>http://merlin-works.com/merlin-works-25-early-bird-discount-ends-april-28th-classes-start-may-12th-2/</link>
		<comments>http://merlin-works.com/merlin-works-25-early-bird-discount-ends-april-28th-classes-start-may-12th-2/#comments</comments>
		<pubDate>Wed, 24 Apr 2013 00:18:14 +0000</pubDate>
		<dc:creator>Karina</dc:creator>
				<category><![CDATA[School News]]></category>

		<guid isPermaLink="false">http://merlin-works.com/?p=3441</guid>
		<description><![CDATA[Discounts Right At Your Grasp! Register by April 28th and Save $25! ~Classes Start May 12th~ Free Intro Classes to Improv and Improv Singing &#38; Improv 101 &#8211; 501/Improv Singing 101 &#38; 201 Register Now&#8230;]]></description>
				<content:encoded><![CDATA[<h1 style="text-align: center;"><strong><span style="color: #000000; font-family: arial, helvetica, sans-serif; font-size: xx-large;"><i>Discounts Right At Your Grasp!</i></span></strong></h1>
<div style="text-align: center;"><strong>Register by April 28th and Save $25!</strong></div>
<div style="text-align: center;"></div>
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<h2><span style="text-decoration: underline;">~Classes Start May 12th~</span></h2>
<div><a href="http://merlin-works.com/labs-mixers-and-free-classes/" target="_blank">Free Intro Classes to Improv and Improv Singing</a><br />
&amp;<br />
Improv <a href="http://merlin-works.com/beginner-improv-classes/" target="_blank">101</a> &#8211; <a href="http://merlin-works.com/advanced-improv-classes/" target="_blank">501</a>/<a href="http://merlin-works.com/singing-improv-classes/" target="_blank">Improv Singing 101 &amp; 201</a></div>
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<td align="center" valign="middle"><a href="http://merlin-works.com/" target="_blank"><i>Register Now<br />
For $25 Off!</i></a></td>
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</tbody>
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</td>
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</tbody>
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<p>Quick! <a href="http://www.merlin-works.com/" target="_blank"><span style="text-decoration: underline;">Register</span></a> for Improv Classes by<strong> April 28th </strong>and get<strong> </strong>the <strong>$25</strong> <strong>Early Bird Discount </strong>for<strong> Merlin Works Summer Improv Classes</strong><strong> </strong>and you&#8217;ll definitely be a winner. In fact you&#8217;ll be ahead of the game with a discount to boot!</p>
<p>Know of someone who would enjoy the rush and fun of improv as much as you are? Forward this e-mail or just bring them along to the <a href="http://merlin-works.com/labs-mixers-and-free-classes/" target="_blank">Free Classes</a> on April 25th.</p>
<p>And for those of you who have already experienced the thrill of improv at Merlin Works, you also can take time to rest by nabbing a <a href="http://merlin-works.com/" target="_self">discount</a> on further classes. The excitement never ends!</p>
<div>
<div><strong><span style="text-decoration: underline;">Merlin Works Early Summer 2013 Class Schedule</span></strong></div>
<div><a href="http://merlin-works.com/labs-mixers-and-free-classes/" target="_blank"><span style="font-family: 'trebuchet ms', helvetica, sans-serif;">Free Intro to Improv</span></a> | Thursday 7:30pm-10pm | April 25th | with Shana Merlin</div>
<div><a href="http://merlin-works.com/labs-mixers-and-free-classes/" target="_blank"><span style="font-family: 'trebuchet ms', helvetica, sans-serif;">Free Intro to Improv Singing</span></a> | Thursday 7:30pm-10pm | April 25th | with Aden Kirschner</div>
<div><a href="http://merlin-works.com/beginner-improv-classes/" target="_blank">Improv 101</a> | Mondays 7:30pm-10pm | May 13th &#8211; July 8th | with Shana Merlin</div>
<div><a href="http://merlin-works.com/beginner-improv-classes/" target="_blank">Improv 201</a> | Sundays 12pm-2:30pm | May 12th &#8211; July 7th | with Michael Joplin</div>
<div><a href="http://merlin-works.com/beginner-improv-classes/" target="_blank">Improv 201</a> | Tuesdays 7:30pm-10pm | May 14th &#8211; July 9th | with Kevin Miller</div>
<div><a href="http://merlin-works.com/beginner-improv-classes/" target="_blank">Improv 301</a> | Tuesdays 7:30pm-10pm | May 14th &#8211; July 9th | with Michael Joplin and TA Quinn Buckner</div>
<div><a href="http://merlin-works.com/advanced-improv-classes/" target="_blank">Improv 401</a> | Mondays 7:30pm-10pm | May 13th &#8211; July 8th | with Ted Rutherford and TA Lacy Shawn<br />
<a href="http://merlin-works.com/advanced-improv-classes/" target="_blank">Improv 501</a> | Wednesdays 7:30pm-10pm | May 15th &#8211; July 10th | with Michael Joplin</div>
<div><a href="http://merlin-works.com/singing-improv-classes/" target="_blank">Improv Singing 101</a> | Sundays 12pm-2:30pm | May 12th &#8211; July 7th | with Aden Kirschner</div>
<div><a href="http://merlin-works.com/singing-improv-classes/" target="_blank">Improv Singing 201</a> | Wednesdays 7:30pm-10pm | May 15th &#8211; July 10th | with Shana Merlin</div>
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